It's funny how blisteringly incorrect Page Six is in their quest for sensational gossip. They miss the big story when they stoop so low. The image in question isn't a shot from a deleted scene in the movie, and was never before censors, but a photograph taken by the brilliant Austrian artist, Gottfried Helnwein. It's reason enough to buy the CD, and reason entirely that WalMart won't carry the CD. ...

Gottfried Helnwein, später als Schockmaler berühmt, wurde der Dritte eines infernalischen Trios.
„Helnwein war der Rülpser-König, metallisch, cremig und mit donnernden Geräuschen“, erkennen Paul/Deix noch heute neidlos an. ...

Guests:
Arnold Schwarzenegger, Marilyn Manson, Sean Penn, Beck, Leonardo DiCaprio, Kevin Smith, Jason Lee, Mena Suvari, Hans Zimmer, Giovanni Ribisi, Carla Azar, Marissa Ribisi, Roger Avary, Greg Shapiro, Bryten Goss, Dita Von Teese, Danny Masterson, Cobi Jones, Karen Black, Shannyn Sossamon, Peter and Michelle Wolf , Julia Migenes, Patrick Morrison, Henning Lohner and others ...

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Von der Arena zum WUK
25 Jahre Wiener Geschichte der Kulturalternativen
Vortrag von Dr. Anton Mantler vor dem Wiener Geschichtsverein im Juni 02 (gekürzte Fassung) ...

Franz Morak, Austrian Secretary of State for the Arts and Media, and Mr Peter Launsky-Tieffenthal, Consul General of Austria, visited Helnwein's studio in Downtown Los Angeles and had Breakfast there.
Together then, they walked to the nearby Los Angeles Geffen Museum of Contemporary Art to meet with curators, who gave them a tour of the museum. ...

Im Rahmen seines Los Angeles Aufenthaltes wird Morak auch mit dem Schauspieler Dennis Hopper sowie mit Arnold Schwarzenegger, Peter Wolf und Gottfried Helnwein zusammentreffen. ...

group show
Gottfried Helnwein, Thomas Struth, Marie-Lo Lafontaine, Nan Goldin, Vanessa Beecroft, Sean Scully and others
Exhibition catalogue:
Catalogue German / English with contributions by Gabriele Bösch,
Christine Frisinghelli, Rainer Igla / Michael Mauracher,
Edelbert Köb, Lois Renner and Eva Schlegel
The exhibition includes around 85 works from the collection's holdings
and several loans, selected by Gabriele Bösch from the perspective of photo/art. Many of the photographic works owned by the collection are now showcased for the first time and put into a traditional painting context,
thereby inviting an exciting discourse between painting and photography.
...

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im basisarchiv:kunst erfasst:
11 Ausstellungen/Projekte gefunden, davon 63,64% in Österreich und 36,36 % im Ausland
23 Objekte gefunden
Schlagworte
Installation, Schwarz-Weiß-Fotografie, Fotografie, Polaroid (TM) film, Zeichnung, Malerei, Mischtechni ...

Einer erstellt die Summe seiner Beobachtungen in dieser Welt der Patzer und Dämonen. Er vernimmt die Schreie aus den gekachelten Schreckträumen abseits einer satten Gesellschaft, die weder mit dem Laub der Bäume noch mit dem Grün der Laubfrösche noch mit den Froschaugen des Miterlebens zu schaffen haben will. Er aber hört manche, die da schreien bis ihnen die Gehirne zerspringen wie Lichtjahre, und hört andere, still vor sich Hinweinende, deren tropfende Tränen eines noch-hoffens mit dem abscheulichen Eisskalpell der Hoffnungslosigkeit seziert werden. ...

Workmen finish one of a series of prints measuring 9.3 metres by 6.2 metres by Austrian artist Gottfried Helnwein.The prints of Kilkenny children will hang on buildings in Kilkenny as parts of its arts festival beginning on August 10th. ...

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Austrian born artist Gottfried Helnwein's work is also of exemplary value, beginning with bandage action events (documented by the artist appearing in cafe's and lying in the street with his "wounded" head and face bandaged). His work depicts physical injuries which are metaphors for far deeper existential, psychological and human tragedies. Medical injuries, facial deformities and abused children proliferate throughout his work evoking primary internal anxieties. The inhumane acts of violence (child abuse, war atrocities, state oppression) and frightening images of familial estrangement that are presented in his work, constitute events which are preferred forgotten, like the nazi era, or preferred left unspoken such as familial traumas like child abuse. Helnwein also conducts a probing analysis of the individual and the self through an abundance of self portraits, each obscured by hideous facial bandages, his facial muscles, lips and eyes are stretched apart, torturingly, by varied medical instruments, now made famous by the Rammstein covers. All his images in some way evoke associations with mutilation, anguish or internal alienation. The works (frequently paintings appearing remarkably like photographs), boldly put forward social unacceptabilities never before portrayed so lucidly and so confrontingly. The many intensities produced in the work are profoundly disturbing, the impressions - uncomfortably eerie, electrocuting the eyes with a rush of haunting spatiality. ...