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10. Oktober 2000
- 18. Oktober 2000
Albertina, Wien
exhibition-catalogue
Albertina, Wien - 10. 10. 2000 - 18. 10. 2000 Galerie Suppan, Wien - 23.10. - 25.11. 2000 Museum für Bildende Kunst, Budapest - 25.1. bis 7.3.2001 ... 
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15. September 2000
Modernism Gallery, San Francisco
"The American Paintings"
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01. September 2000
- 02. Jänner 2001
www.artnet.com
New: this Month in U.S. Museums
The San Francisco Museum of Modern Art
GOTTFRIED HELNWEIN'S MICKEY AT THE SAN FRANCISCO MUSEUM OF MODERN ART
The Darker Side of Playland: Childhood Imagery from the Logan Collection
Sept. 1-Jan. 2, 2001
Over 30 playful but nightmare-inducing works (including a mutilated Rug Rat by Heidi Zumbrum and a monstrous Mickey by Gottfried Helnwein) drawn from the collection of L.A. contemporary art patrons Kent and Vicki Logan. Other artists are David Levinthal, Laurie Simmons, Yoshitomo Nara and Hung Tung-Lu. Curator: Heather Whitmore Jain, SFMOMA. Catalogue: 44 pp., with essay by Jain and an interview of the Logans by Janet Bishop, SFMOMA. |
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01. September 2000
San Francisco Museum of Modern Art
Helnwein's 'Mickey' , 1995, oil and acrylic on canvas, 83" x 122" ,
Vicki and Kent Logan Collection, in the San Francisco Museum of Modern Art. ...
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01. September 2000
- 02. Jänner 2001
San Francisco Museum of Modern Art
Heather Whitmore Jain
Curatorial Associate, San Francisco Museum of Modern Art Helnwein's "Mickey I" at the SFMOMA
(excerpt) Other works in the exhibition present the dark side of cartoon characters. The prevailing narrative structure of many cartoons is a cycle of one's character's unrelenting attacks on another. Yet the violence of these scenarios is subverted and humor achieved by the lack of any permanent injury to the victim and the gleeful nonchalance of the adversary even during the most aggressive assault. Static representations of wounded or menacing cartoon characters can expose the violence and eliminate the humorous punch line. In Gottfried Helnwein's painting Mickey (plate 24), Mickey Mouse's physical features, which usually contribute to his appeal become a thin veneer of looming attack. Blown up to a monster scale and rendered in an austere gray palette, Mickey's smile is deceptive.
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"The Darker Side of Playland" Childhood Imagery from the Logan Collection
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10. Mai 2000
Robert Sandelson Gallery
London
one-man show
Catalogue:
Helnwein Robert Sandelson Gallery. London Text by Robert Flynn Johnson, Curator in Charge, Achenbach Foundation for Graphic Arts, Fine Arts Museum of San Francisco ...
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15. April 2000
The State Russian Museum St. Petersburg
Evgenija Petrova
Repubblica Di San Marino
( Christ in Russian Art )
catalogue
Antico Monastero di Santa Chiara "E’ sicuramente importante dimostrare, per la prima volta nell’Europa Occidentale, la comune fede in un unico Signore risorto" Mons. Michel Berger ...
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2000
Achim Moeller Fine Art, New York, NY
Tribute to Peter Selz
group show
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2000
Los Angeles County Museum of Art
Robert A. Sobieszek
Curator of Photography, Los Angeles County Museum of Art Photography and the Human Soul, 1850-2000
Historian Peter Selz has compared Gottfried Helnwein's tortured, screaming, and bandaged self-portraits to Messerschmidt's sculptural self-portraits,
but the artist has said, " The reason why I took up the subject of self-portraits and why I have put myself on stage was to function as a kind of representative. There is nothing autobiographical, no therapy, and it says nothing about me personally. I am always available as a model." ... ...
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2000
TEATRO SAN MARTIN, Buenos Aires
von RODRIGO M. MALMSTEN
Der Argentinier Rodrigo M. Malmsten hat, inspiriert durch die Bilder Gottfried Helnweins, das Theaterstück "KLEINES HELNWEIN" geschrieben. Es wurde 2000 in Buenos Aires uraufgeführt TITULO DE LA OBRA: KLEINES HELNWEIN Es una Coproduccion con el Teatro General San Martin
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27. November 1999
- 19. März 2000
Museum Ludwig, Cologne
Catalogue, Salon Verlag
The Gruber Collection, Cologne
Das von der Photographie geprägte Jahrhundert
Die Ausstellung präsentiert vierzig ausgewählte Statements großer Photographen des 20.Jahrhunderts:
von Cartier-Bresson, Lebeck, Chargesheimer bis zu Klauke und Helnwein wird jeweils eine bedeutende künstlerische Position gezeigt. Die Ausstellung konzentriert sich nicht auf das Einzelbild, sondern komponiert ganze Werkgruppen zu großformatigen Tableaus und unterstreicht so den "journalistischen Aspekt" in der Photographie dieses Jahrhunderts. Einen Abschluß findet dieser Jahrhundertrückblick in drei künstlerischen Positionen, die in sehr persönlicher Weise Stellung zur gesellschaftlichen Situation beziehen: Jürgen Klaukes "Self Performance" (1972/73), Philip Pococks Berliner Szenen (1982) sowie Gottfried Helnweins "Poems" (1998). ...
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13. Juni 1999
Museum of Lower Austria
Center-piece of the "Apokalypse"- Installation at the Dominican Church, Krems
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13. Juni 1999
Museum of Lower Austria
Helnwein Installation and one-man show
Helnwein
In the Dominican church, Krems Museum of Lower Austria Catalogue HELNWEIN APOKALYPSE Museum of Lower Austria Text by Peter Zawrel Chief Curator, Lower Austria County Museum of Art ...
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01. Februar 1999
The Ansel Adams Center for Photography
San Francisco
50 Years of Polaroid Photography
February 1999 - on tour till 2001
started at the Ansel Adams Center for Photography, San Francisco catalogue: Harry N. Abrams, Inc. New York, ISBN 0-8109-4358-1 ...
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1999
Modernism Gallery
San Francisco
20 YEARS MODERNISM
Modern Masters and Contemporary Art
group show
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1999
project @ the mint
Henry Place, off Henry Street, Dublin 1
Ireland
A Theatre of Cruelty Season
Project Arts Centre
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The American Paintings, Tank Magazine, London, Jan.31. 2000
